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ZBrush has long been the go-to application for 3D artists. Now, with its ability to create 2D elements, it serves as a key part of a realistic hybrid pipeline. Whether your focus is on 2D design, animation, rendering, visualization, or all of the above, ZBrush provides the tools to help you bridge the gap between 2D and 3D.

3D modeling techniques have matured a great deal since the advent of ZBrush. Where ZBrush once excelled at no-holds-barred highly-detailed sculpting and painting, it is now doing an excellent job in producing multi-pass, multi-layer clean-ups, surface refinements, and other edits. ZBrush is a must have when it comes to serious 3D art.

After changing out for a new hand, 3D artists often find themselves in a bit of a rut when it comes to creating new models. Which sets of tools are useful in a new situation? Which are easy to learn? ZBrush comes to the rescue with an easy way to create from scratch the meshes you need in order to start laying down new textures. This chapter shows you how to get a clean start.

ZBrush has always excelled at the creation of almost anything you can think of. Now, with the ability to create 2D elements, it serves as a key part of a hybrid pipeline. Whether your focus is on 2D design, animation, rendering, visualization, or all of the above, ZBrush provides the tools to help you bridge the gap between 2D and 3D.

However, the new version of Zbrushes custom system does not share this limitation, so it can be fully used even if you are or used to being a user of the previous version of Zbrush. Of course, all the same authorizations, etc. but the main point is that you will no longer have to reauthorize your license to install new versions as you did before.

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ZBrush is shaping the digital sculpting and painting tools used the most in the entertainment industry and throughout the world. From high end film production to viral video clips, ZBrush is the world’s premier digital sculpting and painting tool. We are committed to making ZBrush the best digital sculpting and painting tool on the market and for that reason we constantly make improvements, so that our users will love using ZBrush for years to come.

ZBrush sets the standard for digital sculpting and painting, now in its 16th release. Its features include customizable brushes that sculpt, texture, paint and export in one tool. Builds realistic organic surfaces by using 4D dynamics brushes, which simulate the way materials behave in real life. Use Masking to create a surface that blends naturally into a scene. Plus, up to 64GB of RAM and 4 GPUs, to speed up every step of the sculpting process.

Even the most intricate digital paintings can be animated, the sort of thing you once could only do with a large team of animators, compositors and specialists. ZBrush offers much needed support for animation, with the easy to use physics and fluid dynamics controls, coupled with dedicated toolsets for modeling characters and supporting characters, gives you the tools to get your animation off the ground with ease.

From 3D modeling to simulation, compositing, UV mapping and editing, ZBrush offers a streamlined approach to modern 3D graphics. Dynamic scene updates with real-time rendering, interface re-design and a streamlined workflow, ZBrush provides all the tools needed for today s industry, in a lightweight, intuitive interface.

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There are two additional versions of ZBrush available, ZSpace and ZMagic. ZSpace is an immersive 3D environment which provides a production environment for ZBrush and has many useful add-ons. ZMagic is a VR-based tool that uses the same brush engine as ZBrush. With ZBrush, you can go into a virtual studio and sculpt and paint right within the 3D environment. Tools like ZTree, Eraser, Smoother, Mesh, Pin, Sculpting, Right Hand Operator, 3D Painter, Ray Brush, Sculpt, ZPen, Punchout, Surface Analyser, Poly-Sculpt and World Brush are all included.

ZBrush 4R8 includes several new and advanced functions such as providing a new Create User Presets function, a new tool called the 3D Painter, an image-ready preview function, new paint analyzers, an easy-to-use GoZ editing option that allows the user to quickly add detail, and a Pen Mode that lets you use pen strokes to sculpt the surface of the model. ZBrush also includes a new tool called ZPen which enables you to draw curves over the model or even ink the surface, replicating, if you will, an old paper cut-out approach.

The new ZBrush 4R8 also features a new paint analyzer called the Paint Sampler. This allows you to quickly sample a given paint to examine its color. You can then use the paint sample to set a new diffuse texture. This feature can help you to save valuable time. You can also use this feature to eliminate what you would have otherwise painted over when doing a specific paint job. The Paint Sampler makes it easy to isolate the area you want to examine and paint.

Mellotron was born out of a need to provide the sculpture community with the essential tools to communicate effectively. Today zBrush, Maxon’s flagship piece of digital sculpting software and the #1 winner of the Academy Award for Innovation in CG Technology, delivers a platform on which artists, animators, and CG directors can bring their ideas to life and deliver to the widest possible audience. Initially Mellotron was designed as a tool for sculptors to quickly build high quality models with techniques never before available. Since Mellotron’s 1.0 release in 2011, zBrush has grown to offer solutions for applications of all types and sizes.

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• New: 2D Flow and Sculpt Mode are now supported for all of the APIs for 64-bit releases
• New: All of the APIs for 64-bit releases are now fully supported
• New: See the Settings menu to change the number of control handles created by the new ramp smoothing that only applies in sculpt mode when ramp is enabled
• New: The CUBE texture function has been improved so that it now handles UV and texture matrices, and it now returns a result when smoothing is enabled
• New: The number of control handles is now limited to a maximum of 8
• New: The Assign UV mapping function has been added
• New: Enabled in the Advanced controls is a new user control to force UVs to be flipped over all active layers
• New: Added a new 3D noise pattern named Sphere Noise
• New: Added new material functions such as Apply Material to Mesh

• Up to 512-bit HDR 10 HDR file support.
• New Asset Pipeline.
• ZBrush now supports tagging model elements in the GUI.
• Most new Brushes in ZBrush 7.5.
• UI and Brush adjustments now available via Plugin settings.
• Improved Keymap.
• New Extensions added.
• Faster rending.
• The UI now minimizes to the system tray.
• ZBrush now supports multiple file formats from other industry standard software such as ZR2, FBX and more.
• ZBrush now has a working imported.accordion project.
• ZBrush now remembers your UV Waffle
• ZBrush now supports the new $RecentBrushes

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